Similarly, a line drawing is just a series of binary choices: it is either black or white.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTFrtu2kt9-5qzuEJpqPPp1BlB37nqosM9G5QPR1I-JpLGV73oFb8qCAwKsyxWvfRa8jxAHqPatTHlprrvjaQlaHkNoI6F2Ti0bU24QDswAZ9YOKzH0zkmjQuPSlk-wMLYEr44NP747nfR/s400/Von+Schmidt.jpg)
Unlike a painting, which presents a rich variety of layered choices and half-choices, a drawing is a commitment: either line or not line. Look at the bold, black-or-white choices in this stunning set of illustrations by the great Harold Von Schmidt in 1929 for Death Comes For The Archbishop:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjgf65eQHTJ2mhT2ntnr_ksESvnk4yAxUukkFAbXtGv6GzmfeYcMoKmrZdRw096FtAUXIF7CkVVKHOnag1QZxIYCac71tP_tZUbNoK_wZL-BBzjJyygo6gRhulSmzzD6X5WlVGTLoMCzr7/s400/Von+Schmidt+001.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmz_KADwZyoMpoBW-HfCLNiown55tBvbw50kuhCTuof68PFIiAV_PhweXu12BHiL2YiF-cw3gWGqDM2WittK16AcSF_Y2S_tHxx5PqiQrf5UrRGSFNGGbc1NT0n8iMCLtfI1a-SBXunOZI/s400/Von+Schmidt+002.jpg)
The following full page illustration demonstrates the same kind of restraint and care that abstract expressionist Barnett Newman used in selecting the perfect location for a zen stripe on a huge blank canvas.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBmahlR8GlaPyyrUCBjEvw28ciT3HLg93oC1J8IRFTRG_4zZkemem2A5Mg-IN8tD-RJg3HY2CdKPUECoda5dwx0DToUMG3WlG26IXfjjTOKgIC6K6v-tax0vjFbKI2Q_NpSW3ImLaf-0S1/s400/Von+Schmidt+003.jpg)
I admit that I prefer drawings to paintings, sculpture, movies or other art forms. Through a series of binary decisions, an artist can evoke the most extraordinary effects.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdAysgUImZ_f2u-C2yR5_8tlc5drTkc_EV9xqjBoHbpijEv7gdj1bI9VbA-EKUc3f4bQkCqzu-h7jAye30JXHVpQkfppVsFmFnDsmrONuH0DuBl_ap3NiPuIdIDYIUruGclL7MjMlTpZRh/s400/Von+Schmidt+005.jpg)
These are strong, wonderful drawings worth revisiting by any fan of illustration.
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