![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrTA66tSSaKzZgdy34Wx_dE8StVviJpHoqlGZrO2zB-PM9fe_3JGYnIbPnMHlNFHNqqHY98bNGBF_2vV5mi2GuWbP5luth76JOZ_o-NjoCrFaWQNguBBmUfUlm0bIlKlP_PZc4HyQVVjTJ/s400/Remington+006.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY4YSyQifHFdbPegPxGbRO0j09tctDWnmUXhSDrgJ33l7fURKrJI_T8Qtzb7db46d64jz-xij0uloBiW05lRLDrr3pIjTLgC2b91HtLI3x2JrrHDH7BGE6bu2sI-YnnG3-LP_oJwcUQA0x/s400/Remington+003.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEdonLjzZxktAMlIUz9WfGqfSxJ_iMl7oPRhzoUj2PjKSaQAWsIvlz8comLh3_vVPpIw4qUpHtceKTxayEGKUzgHQQOe65cG6qmHFrPGB1v6MPGjkZXBsHdEMjz7sT0_Kq629h-uVadWUS/s400/Remington+010.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-8enWlUftMTUbNj3xka6VU3Yqkezn2W0J85ExzyHGx9BNL53bqiF5GbCtm_QI624XRymR_wjFYIPx_WukbUhce3BfOrUTSWfzxHkhJ9lqnoSXN0XWLYHmdJDbjCxt1B2D9oZ7CUV_LQ-X/s400/Remington+004.jpg)
When other painters might reach for a dark blue, Remington reaches for greens and purples and violets.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggUVFOfxtYLn9yoT6xcegiHKwPw2w9_XxICTPCXnyiHOaIeWTAAGiWiyNyEsX9GrvkKOiAwr0byOH5iSLQPqpB1kOTtX_MUvo9dh8Tfzu9bBG3pBqOmOqvazTM53B_cI_Gm5tgZvoJkOq1/s400/Remington+009.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjahA9f-PDZEv1slNvCO43v2VDt2o1ofLqSSp1oEgHs9vgJxmLuWnzJZvO0fyJHd2uYScOs1-O5OTFtgQp_r_e94swy-NcczNBApt9yMeCyS5cdB9mzvfqxA42jLnHWod1fxdWCByQy7YJ9/s400/Remington.jpg)
Did Remington actually see these colors in nature? Even Cezanne, the grandaddy of abstract art, recognized that "painting from nature is not copying the object; it is realizing one's sensations."
No comments:
Post a Comment